Hop on Pops Dub Nation!

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Root for The Warriors in the Western Conference Finals at Pops Bar with every seat in the house facing one of our 5 screens tuned to the game live with our state of the art sound system.  For maximum fun, we DJ over the commercials to keep you in good spirits! Human and Canine Warrior fans are both welcome.

Check out this week’s full entertainment line up at Pops Bar:

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Drama Talk & Drinks: The Color Purple – “Sing like a dream”

Ever since we saw the 2016 Tony Award performances of The Color Purple cast we’ve wanted to see this show. From the heart wrenching plot, to the big gospel voices, to Oprah’s love, we were excited to see if this revival lived up to all the accolades it had garnered. When we saw the Broadway tour was making its way to SHN’s Orpheum Theatre, we decided to head out for an evening of drama talk and drinks.

Photo by Matthew Murphy.  Adrianna Hicks (Celie) and the North American tour cast of THE COLOR PURPLE.

Photo by Matthew Murphy.
Adrianna Hicks (Celie) and the North American tour cast of THE COLOR PURPLE.

Brittany: They had such good voices. The first act was depressing. It’s awful how terrible people can be to each other. White people are terrible to people of color. Men are terrible to women. Women are terrible to other women. Basically everyone is just terrible to each other. Then the second act redeems it all. I love the message of – no matter how much shit you go through you can be resilient – that’s pretty amazing.

Katie: Masterful singing for sure. The music didn’t quite meet my expectations though. The majority of the songs sounded so similar to one-another. I can’t remember any of them for the life of me. I enjoyed some of the duets and harmonies, when the songs showed an emotional range, but even those aren’t that memorable.

B: Yeah, the songs weren’t that catchy. That’s part of why I liked the second act better, the songs were more varied. The first act was basically all gospel, which every-single-person in that cast could sing like a dream, but there wasn’t much variety.

K: The show was beautiful and moving, I was entertained, but I wouldn’t need to see it again. For me I saw The Color Purple and I’m good. Also, story-wise it was really fucking sad and then all the sudden it wasn’t. The complicated painful relationships were too easily cleaned up and reconciled, which felt really weird to me.

B: I didn’t understand Celie’s transformation, I don’t get what it was that made her flip from being passive, to suddenly willing to stand-up to her abusive husband. I just didn’t see that transformation happening until it already happened.

K: For me there was something really contrived about this musical. It felt like someone made a musical out of this well known book and movie just to make a musical.

B: This was totally made with the understanding it would probably make a ton of money, which you can kind of tell…I feel like the musicals that are really special, the ones that you can’t get out of your head, are the ones written by people who are hungry and brave and don’t necessarily know that their piece will be successful. With this musical they thought “It’s The Color Purple, people will come.” I still think people should see it though. Everyone in the cast was amazing.

K: Agreed, definitely a show worth seeing.

The Verdict: A sad but beautiful story told by actors with amazing talent, heart, and voices. Go see it!

The Drama Talk: While The Color Purple is neither of our favorite musicals, this is still a great production. The cast has unbelievable voices. Some of the performances are inspiring. In all, it was an engaging and impressive show, like so many of the Broadway tours. While the happy-ending feels a bit far fetched, it’s nice that the show doesn’t leave you in the pit of despair it puts you in during the first act. Although we didn’t leave the theatre humming any of the tunes, it was still a great and memorable night of drama talk and drinks.

The Drinks: After this rollercoaster of a musical we wanted to go to a bar that was chill and loungy. Luckily 2 blocks away in the Twitter building there is Dirty Water, which is often not very busy late night and weekends and is full of couches.

The Color Purple plays through May 27th at the Orpheum Theatre. Tickets range from $55-$246 and can be purchased on the SHN website. Right now there are discounted tickets available on Goldstar.

Cars ‘n’ trees

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Local photographer Melissa has been getting some real good cars ‘n’ trees lately

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Drama Talk & Drinks: Father Comes Home From the Wars (Parts I, II, & III) – “storytelling you have to work for”

After five years of Drama Talk & Drinks, we realized we had never reviewed a show at one of the premiere theaters in SF, A.C.T. It seemed like a good time to start, particularly with opening of Father Comes Home From the Wars, a play new play by Pulitzer Prize winner and MacArthur “Genius” Grant recipient Suzan-Lori Parks. So off we went to A.C.T for a night of drama talk and drinks.

Photo by Joan Marcus. A chorus of enslaved people—Second (Rotimi Agbabiaka), Third (Safiya Fredericks), Leader (Chivas Michael), Homer (Julian Elijah Martinez) and The Oldest Old Man (Steven Anthony Jones), Hero’s surrogate father—place bets over whether Hero will accompany The Colonel to the Civil War in Suzan-Lori Parks’s Father Comes Home from the Wars (Parts 1, 2 & 3), performing at A.C.T.’s Geary Theater April 25–May 20, 2018.

Photo by Joan Marcus. A chorus of enslaved people—Second (Rotimi Agbabiaka), Third (Safiya Fredericks), Leader (Chivas Michael), Homer (Julian Elijah Martinez) and The Oldest Old Man (Steven Anthony Jones).

Brittany: I loved the first two acts. The staging was beautiful and the Greek chorus was cool. The third act, after the intermission, lost some momentum for me. I was weirded out by the talking dog. I think they were going for an Odysseus thing, but it jumped the shark for me. Still very much worth seeing, but be prepared for a bit of a let down at the end.

Katie: There were definitely some cool moments, but I didn’t love the preachy, greek tragedy, lots of monologues format. I was interested in the story and cared about the characters, but it was a 3 hour show…I guess I’m a product of a generation of really short attentions span, but it felt long. I also agree the third act was not as strong as the first two. At first it wasn’t even clear that the Greek chorus was playing different characters, and then when the dog-human ran out it totally took me out of it.

B: I didn’t mind all the monologues because they were performed by really strong actors, but you’re right, it was a long first act.

K: Agreed. The actors were incredible. The set was cool and artistic too.

B: I liked how they used the lighting and the shadows.

K: I appreciate that the play explored some pretty provocative topics too.

B: Definitely some very interesting subject matter. I think that’s why I was okay with the length of the play. Watching the characters explore the legacy of slavery in the United States and the struggle for black Americans to be valued when the dominant white culture only sees value in a black person if they can be owned was some powerful stuff. I think it was a valuable play in that way. I just really wish they didn’t have that dog character.

K: This is for people who love meaningful theater and storytelling you have to work for, but it’s totally worth it. I enjoyed myself.

The Verdict: It’s a long and heavy show, but very well acted, well staged, and well worth seeing.

The Drama Talk: Father Comes Home From the Wars is thought provoking. It’s the kind of a play you’re engaged in while it’s happening, and then when you think about it after the fact you start to realize all the clever things you missed. This is undoubtedly in part due to the extremely good actors who were able to keep the audience with them in the moment. The dramatic yet sparse set and highly contrasted lighting design provided just enough of a canvass to give the scenes shape, while still allowing one’s imagination to fill in the detail. Yes, it’s long, but it’s also smart, and totally worth checking out.

The Drinks: It was late by the time we got out of this 3 hour show, so we wanted somewhere chill where we could discuss what we just saw AND have cocktail and a snack. Luckily Bartlett Hall was open and had all of the above.

Father Comes Home From the Wars (Parts I, II, & III) plays through May 20th at the ACT’s Geary Theater. Tickets range from $13.50-$115 and can be purchased on their website.

 

Vote Pops for Prom King

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If you hated your prom, loved your prom, or missed it entirely, this Saturday at Pops Bar is your opportunity to make new memories to compliment or replace your emo teenage feelings.  Sadderday SF presents a Class of 2018 Emo Prom with DJs Kevin Kannibal and Ashley Suicide spinning emo, pop punk, scremo & electro.  Wear your best or worst or most beloved formal attire, bring someone special, or meet someone new. These are the best days of our lives.  And don’t worry, there will absolutely be a prom court to be voted on so get ready to do your best wheelin’ and dealin’.

Check out this week’s full entertainment line up at Pops Bar:

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Drama Talk & Drinks: The Gangster of Love – “Really f*cking long”

When we heard about the world premiere of The Gangster of Love, a new play by award winning author by Jessica Hagedorn, which tells her story of immigration from Manila to the Haight during the 1970s we knew we wanted to see it.  Afterall, we love San Francisco, and this was a San Francisco based story. So off we went to the Magic Theatre for a night of drama talk and drinks.

Photo by Jennifer Reiley.

Photo by Jennifer Reiley.

Brittany: That was really fucking long.

Katie: What the hell was that?

B: I just don’t understand why they tried to cover so much? I get it’s based on a life story, but you don’t need to see every moment over the course of thirty years.They spent so much time showing different scenes they didn’t actually develop any of the subplots. They seemed to change the set every few minutes.

K: Agreed. The only thing I did care about was those awesome projections.

B: Visually this show was cool.

K: But that was it. I just sat there in confusion, thinking there must be something I’m not getting.

B: I didn’t care about anyone in the show. None of the characters were fully human. There were thirty bizarro plot lines that didn’t go anywhere. They introduce you to an interesting character and then that character never appears again. Meanwhile the girl who played the lead, Rocky (Golda Sargento), seemed to just float through the scenes. Despite the fact she was on stage almost the entire show, I still didn’t get a sense of who she was or why I should care about her.

K: The show did nothing for me. If it had just ended after the first act at least it wouldn’t have been as painfully long.

B: What I don’t understand is how it took that long to do nothing.

The Verdict: Despite some cool staging this is a show to skip.

The Drama Talk: Cool projections and San Francisco subject-matter can’t save a bad play. Neither can good actors if the characters they’re playing are poorly developed and disappear from the story with little explanation. Perhaps because the playwright is primarily a novelist, and she’s dealing with subject matter that hits so close to home, she thought the audience would intuitively understand why we should care about this moody young immigrant poet/musician and her life. Unfortunately the character of Rocky was in some ways the least interesting character in the story. Meanwhile the promising characters who appear throughout her life never get enough time to have an arc.

This is the world premiere of this play, so it’s possible it could be fixed by trying to do less. Fewer scene changes, fewer years covered, fewer characters who appear for only long enough for you to get curious before they disappear, less shoehorned in magical Jimi Hendrix angels. As it is, this play tries to do far too much, and in doing so accomplishes nothing.

The Drinks: After this show we wanted to go someplace fun and relaxing so we checked out a new bar in the nearby Marina district called Del Mar. They have swings for seats, so that did the trick.

The Gangster of Love runs through May 6th at the Magic Theatre. Tickets are $30-$60 and can be purchased on their website. Right now there are tickets on Goldstar for $15-$32.50.

 

SF’s Cinco De Mayo Festival

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The mission district will be alive in celebration for Cinco De Mayo this Saturday! Cinco de Mayo is a celebration held annually on May 5th to commemorate the Mexican army‘s victory over French forces at the Battle of Puebla on May 5, 1862.  In the mission, the 2018 SF Cinco de Mayo Festival will take place on Saturday 10 A.M – 6 P.M., May 5th, 2018, occupying Valencia Street between 21st and 24th Streets.  The celebration will showcase the very best of Mexican and Latin American cultures with a diverse array of Mexican and Latino foods, music, dance and artistry for the entire family to enjoy.  On your way to and from the festival, hop on Pops to get your Cerveza or Margarita on with our Brunch Mob!

Check out this week’s full entertainment line up at Pops Bar:

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Reminder: Christopher Owens + Curls show rescheduled for this Sunday night

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I know everybody got all excited about this show happening a few weeks back, but then it got rescheduled. Now it’s Sunday night, at the Chapel, don’t forget. Info and tix here.

Happy Birthday CUFFIN!

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This Friday at Pops Bar, come cuffed or leave cuffed as we celebrate the 2 year anniversary of CUFFIN, an all things R&B party! CUFFIN is a No Frills R&B party that plays R&B music from all eras. You’ll hear ANTHEMS. ALBUM CUTS. REMIXES. SLOW JAMS and of course SING ALONGS all night. The goal is to make you DANCE! From 90s Classic R&B to today’s Futuristic R&B and of course some of that new ratchet R&B for you ratchets out there, we make your Friday night smoothed out on the R&B tip……after all every season is CUFFIN season.

Tunes by:

  • AMP
  • Jon Reyes
  • Boogie Brown

Special Guests:

  • KID DEE
  • DRE ONE

Follow CUFFIN on IG: CuffinSF

Check out this week’s full entertainment line up at Pops Bar:

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What is “real” anyway

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