Drama Talk & Drinks: Shout-out

As big fans of Crowded Fire Theater we were really excited to hear about their collaboration with AXIS Dance Company, Star Finch, and Ensemble Mik Nawooj to create a new immersive multidisciplinary experience that merges “hip-hop, contemporary dance, and theater into a boundary-pushing work featuring a 12-person orchestra”. Sounds intriguing right?!

Unfortunately there are only 3 performances over 2 days, which means we won’t be reviewing it, but we felt strongly that a show as unique as this needed a shout-out. We definitely recommend checking it out. We will be.

Photo by Ian Davis.

Photo by Ian Davis.

WHAT:

DEATH BECOME LIFE: BANISH DARKNESS - a future vision by Crowded Fire Theater, AXIS Dance Company, Star Finch, and Ensemble Mik Nawooj

WHERE:

Bayview Opera House Ruth Williams Memorial Theatre, 4705 3rd Street, San Francisco

WHEN:

November 16, 8:00pm

November 17, 3:00pm and 8:00pm

Tickets $25: Visit www.crowdedfire.org/dbl-banish-darkness for more information and to purchase tickets.

 

Drama Talk & Drinks: Men On Boats – “It looked so cool when they were going over waterfalls!”

I knew when I heard about Men On Boats, a play described as “Spinning historical, theatrical, and gender conventions on their heads, this subversive tale of 10 men, four boats, and two rivers contains none of the above”, I needed to go with one of my awesome lady friends. So I brought my friend Kim, lawyer by day, and theater goer by night, to A.C.T’s Strand Theater for a night of drama talk and drinks.

John Wesley Powell (Liz Sklar, standing center) leads a brawny and eclectic band of explorers on an expedition through the canyons of the Green and Colorado Rivers | Photo: Kevin Berne

John Wesley Powell (Liz Sklar, standing center) leads a brawny and eclectic band of explorers on an expedition through the canyons of the Green and Colorado Rivers | Photo: Kevin Berne

 

Kim: If I read this play in script form I would be convinced I would hate seeing it put on stage but actually I was surprisingly pleased, and it was a lot of fun.

Katie: I was very entertained, I really didn’t think I would like this show as much as I did. I mean, we just saw a group of women play narcissistic white men from the 19th century. That sounds annoying to me and yet I really cared about the characters.

Kim: That’s definitely part of the theme that’s going on there. If they had actually been all white men, it would have been impossible to swallow. This all female cast really nailed it, their comic timing was really good. It was very charactery, campy acting throughout, which worked in the context of this play.

Katie: On top of the cast being so strong I was very impressed by the set, lighting, and sound design. You really believed they were in boats on a river to the Grand Canyon. It looked so cool when they were going over waterfalls!

The Verdict: Very well done new approach to an old narrative. This is storytelling at its finest. Go!

The Drama Talk: The ups and downs of the plot, interesting character development, cool set, and strong all female cast, created a tight and entertaining 90 minute adventure. The story and style of this play creates multiple layers in this show that different people will enjoy. For those who want an entertaining show that will make you laugh, you can come and watch this play and have fun. For those looking to question the patriarchy, manifest destiny, and the power structures in America you this play does not disappoint.

The Drinks: The Strand was serving drinks after this opening night performance, but assuming that doesn’t happen every performance we recommend going around the corner to Mr. Smiths.

Men On Boats plays through December 16th at A.C.T’s Strand Theater. Tickets range from $30-$100 and can be purchased on the ACT website. Right now there are discounted tickets available on Goldstar.

  

Drama Talk & Drinks: On Your Feet! – “walked out on a high note”

I was a huge Emilio and Gloria Estefan fan growing up so of course when I heard their musical On Your Feet! was coming to town it was a must see for me. Also, the Golden Gate theater was shut down for the last 13 months for renovations (you can read more about that here) and the grand re-opening was being celebrated with the opening night for On Your Feet!, so a win win night of Drama Talk and Drinks.

Photo by Matthew Murphy

Photo by Matthew Murphy

Garrett: I walked out on a high note with that energetic closing number. For me, this had moments of being really fun. I appreciated the choreography, colorful costumes and set design, but I felt a little lost because it felt like pieces of a story that didn’t really go together. Things didn’t quite add up for me. It wasn’t really cohesive or meaningful. I guess I didn’t learn anything about her that I didn’t already know.

Katie: I think that speaks to the issue of it not being a well written story. The original songs didn’t move anything forward, and there were also parts of her life they didn’t even go into at all. Like getting pregnant and having a kid, getting married… and when the hell did grandma die? There were things that were set up to be important and things that you were set up to care about that they didn’t include. I just think they tried to do too much that actually wasn’t very interesting. I would have rather seen more more character and relationship development. I just wish this was more heartfelt and unique. They were trying to appeal to a mass audience and throw in some fluff, and it fell flat for me and I LOVE Gloria Estefan.

G: Yeah, you either need to go full fluff or none at all and make it really interesting and they did neither.

K: It was this in between that felt random and forgettable.

G: Maybe they should have focused on the relationship between Gloria and her dad, or her and her sister, or her mother, or her grandma. Instead it was bits and pieces of each one and I ended up not caring about any of them.

K: But the bright side is the renovated theater looked beautiful.

G: Yes it did! New bathrooms, carpeting, and accents all around. It was great to be there and feel like a part of that theater-supporting community. Fun night!

 

The Verdict: This is a fun night out for Gloria Estefan fans, but not so much for those who are not.

The Drama Talk: This show tries to do too much and subsequently doesn’t do much at all. The story structure feels arbitrary and random with original songs that really slow down the pace. The story aside, this show had amazing performances, choreography and music. It’s a shame we left feeling that there was a missed opportunity with this show.

The Drinks: We wanted fun drinks after leaving this fun show so we headed a couple blocks away to Charmaine’s, which is a rooftop bar on top of the Proper hotel.

On Your Feet! plays through October 7th at the Golden Gate Theatre. Tickets range from $55-$236 and can be purchased on the SHN website. They are also doing in-person AND mobile rush tickets for $40, which is pretty cool. Visit this page to find link to the mobile app. Right now there are discounted tickets available on Goldstar.

 

 

Drama Talk & Drinks: A Walk On The Moon – “I just didn’t feel the gravity of 1969″

I’m one of those people who have not seen the 1999 film A Walk On The Moon, but jumped at the opportunity to see it as a world premiere musical at the American Conservatory Theater. So I grabbed my theater loving friend Lisa and headed to Geary Street for a night of Drama Talk and Drinks.

Photo credit: Alessandra Mello

Photo credit: Alessandra Mello

Lisa: I grew up in upstate New York and I felt there were mosquitoes in the theater. It had that muggy, New York Summer feel. So I thought the set was beautiful. It wasn’t a show that felt emotional. I was not swept away, and I love romantic comedies and anything sappy. I just wasn’t rooting for Marty and Pearl. I mean, he just sucks, right? I cared more about Walker, and I felt like he got shafted.

Katie: The set and the actors were really the only things good about this show. I didn’t see the movie, so someone who loves the movie might have gotten more out of it, but this show should be able to live beyond the movie. Not only was the script just okay, but the music and the songs felt very generic. I felt like the transformative moments didn’t make sense, and there wasn’t enough relationship development for those moments to payoff. The show felt rushed through those moments to get to the next generic song or movie plot point.

L: It didn’t seem like the music felt of the era, like when they were at Woodstock the music didn’t sound like they were at Woodstock. I feel like the music could have been from any musical. They really had beautiful voices though. Forgive me for being a mansplainer, but have you ever lived in New York?

K: No.

L: Did you understand the setting? Did you get that it was Jewish people in the Poconos?

K: No, not really.

L: Yeah, I think this would play better in New York because it is so regional. There was definitely a Jewish man sitting behind us loving the Jewish humor. But I know most people don’t get it. There were some very New York Jewish things in the show, like a Blackout Cake form Katz deli. I think if we saw it in New York with New Yorkers it would be more well received. How did you feel about the connection between the walk on the moon and their lives? I know I was supposed to really feel that and I don’t think I did.

K: Totally. I felt that the show was grabbing at straws with the walking on the moon thread. It felt forced. A lot of things in this musical felt forced.

L: This is written by a woman, right? I’ve worked in teeny bopper entertainment, so I advocate for young woman being taken seriously, and not to be overly dramatic, but I felt like in general people have a really hard time portraying teenage girls as complex characters who are masters of their own identity. I think young women are so incredibly smart and the teenage daughter character in this show was so abrasive that you didn’t feel for her. I just wanted her to stop complaining. It’s too bad that they made her character annoying.

K: I think this speaks to the directing. The actress played one note and approached the character with the wrong technique of volume equals intensity. I don’t imagine the playwright wrote all her lines to be screamed or for her to be so annoying. So I think that this was a problem with casting or directing.

L: That makes sense. I just, this is a terrible pun, but I just didn’t feel the gravity of 1969 and I thought we were supposed to.

The Verdict: If you are originally from New York, over 60 years old, or a huge fan of the film A Walk On The Moon you might enjoy this musical. If you do not identify with one of those categories, this is one to skip.

The Drama Talk: Can we just stop making musicals out of movies?! No, not going to happen? Okay, well then let’s get more original and creative. Other than the set, the video projections and costume design, this is a very forgettable musical.

The Drinks: A new bar opened around the corner from the theater underneath August Hall called Fifth Arrow. It has food, drinks and games. Worth checking out before or after the show.

A Walk On The Moon plays through July 1st at the American Conservatory Theater on Geary. Tickets range from $22-$100 and can be purchased on the ACT website. Right now there are discounted tickets available on Goldstar.

 

Drama Talk & Drinks: The Humans – “People are going to be dissecting this play”

We have been hearing a lot about The Humans since it won 4 Tony Awards back in 2016 and were very excited to hear it was coming to SF. Unfortunately, it’s at a time when Brittany is out of town, but luckily I have quite a few theater loving friends who have been wanting to participate in some Drama Talk & Drinks! So off my friend Renee and I went for her first night of reviewing live theater.

Photo by Julieta Cervantes.

Photo by Julieta Cervantes.

Renee: I thought it was a really interesting show. I felt a nice steady climb of emotions, unlike when I watch a musical and the emotions tend to yo-yo. This show took you through a journey. So I liked it, but it also stressed me out and made me uncomfortable. I feel like I get enough drama in my own family, it was just too relatable to be very enjoyable. There was also no suspension of disbelief, which was hard to sit through.

Katie: I liked it too but was also torn. There were moments I was interested in how real and relatable the story and characters were, but also felt why should I care about these people, and I don’t know if I do. At the end I was left not really caring, and it often felt like I was just listening to a bunch of complaining white people. But I think it was a very accurate slice of life of a middle class family in America and had really good actors. For me the moments where they were all talking over each other felt pretty chaotic in a distracting way. It’s obvious that this was intentional and happens at real family gatherings, and there is something raw and exciting about seeing that play out onstage, but it often took me out of the story.

R: Yeah and what also took me out of the story was the weird sound balance. Especially at the beginning they were projecting too much and it felt like they were shouting at you the whole time. Then I realized at times they were shouting down stairs, but I didn’t think that was necessary.

K: At first I didn’t like the 2 floor set and then later I was into it and appreciated the dynamic it created. It was really interesting to experience a play with a two levels where scenes were happening simultaneously.

R: And the acting was so good! The mom was super relatable, she was my whole family in one person. The random email forwards the mom would send! Such a good detail. But I have to say who would have their whole family over in an apartment with no furniture, that is just not something I would do, so that was hard to relate to.

K: I did like how the play explored multiple generations of the family. I know a lot of people who have aging grandparents, and their own parents are struggling to take care of them. I really think this play is going to be even more fascinating to audiences in like 30 years. People are going to be dissecting this play, while being nostalgic for the middle class that disappeared.

The Verdict: This play is a well done extremely real life glimpse into the modern American Family. Definitely worth experiencing.

The Drama Talk: We agree that The Humans is a well told story that explores “aging, illness, and a changing economy”. The incredible performances and the eerie but realistic two story set added to the feeling of being a fly on the wall in a shitty New York City apartment at an actual Thanksgiving dinner. Sometimes the too realistic style of characters speaking over each other and conversations happening at the same time interfered with connecting to the story. Also, their struggles were at times hard to empathize with, considering it was a white, middle class family. Though we didn’t leave this show beaming, we did leave it reflecting on what it means to be a human in America.

The Drinks: We wanted a chill not crowded bar to digest this intense play, so we walked down to 7th and Market to Mr. Smiths, which is typically chill on a weeknight and luckily it was.

The Humans plays through next Sunday 6/17 at the Orpheum Theatre. Tickets range from $40-$110 and can be purchased on the SHN website. They are also doing in-person AND mobile rush tickets for $30, which is pretty cool. Visit the show’s homepage to find link to the mobile app. Right now there are discounted tickets available on Goldstar.

 

 

 

Drama Talk & Drinks: The Color Purple – “Sing like a dream”

Ever since we saw the 2016 Tony Award performances of The Color Purple cast we’ve wanted to see this show. From the heart wrenching plot, to the big gospel voices, to Oprah’s love, we were excited to see if this revival lived up to all the accolades it had garnered. When we saw the Broadway tour was making its way to SHN’s Orpheum Theatre, we decided to head out for an evening of drama talk and drinks.

Photo by Matthew Murphy.  Adrianna Hicks (Celie) and the North American tour cast of THE COLOR PURPLE.

Photo by Matthew Murphy.
Adrianna Hicks (Celie) and the North American tour cast of THE COLOR PURPLE.

Brittany: They had such good voices. The first act was depressing. It’s awful how terrible people can be to each other. White people are terrible to people of color. Men are terrible to women. Women are terrible to other women. Basically everyone is just terrible to each other. Then the second act redeems it all. I love the message of – no matter how much shit you go through you can be resilient – that’s pretty amazing.

Katie: Masterful singing for sure. The music didn’t quite meet my expectations though. The majority of the songs sounded so similar to one-another. I can’t remember any of them for the life of me. I enjoyed some of the duets and harmonies, when the songs showed an emotional range, but even those aren’t that memorable.

B: Yeah, the songs weren’t that catchy. That’s part of why I liked the second act better, the songs were more varied. The first act was basically all gospel, which every-single-person in that cast could sing like a dream, but there wasn’t much variety.

K: The show was beautiful and moving, I was entertained, but I wouldn’t need to see it again. For me I saw The Color Purple and I’m good. Also, story-wise it was really fucking sad and then all the sudden it wasn’t. The complicated painful relationships were too easily cleaned up and reconciled, which felt really weird to me.

B: I didn’t understand Celie’s transformation, I don’t get what it was that made her flip from being passive, to suddenly willing to stand-up to her abusive husband. I just didn’t see that transformation happening until it already happened.

K: For me there was something really contrived about this musical. It felt like someone made a musical out of this well known book and movie just to make a musical.

B: This was totally made with the understanding it would probably make a ton of money, which you can kind of tell…I feel like the musicals that are really special, the ones that you can’t get out of your head, are the ones written by people who are hungry and brave and don’t necessarily know that their piece will be successful. With this musical they thought “It’s The Color Purple, people will come.” I still think people should see it though. Everyone in the cast was amazing.

K: Agreed, definitely a show worth seeing.

The Verdict: A sad but beautiful story told by actors with amazing talent, heart, and voices. Go see it!

The Drama Talk: While The Color Purple is neither of our favorite musicals, this is still a great production. The cast has unbelievable voices. Some of the performances are inspiring. In all, it was an engaging and impressive show, like so many of the Broadway tours. While the happy-ending feels a bit far fetched, it’s nice that the show doesn’t leave you in the pit of despair it puts you in during the first act. Although we didn’t leave the theatre humming any of the tunes, it was still a great and memorable night of drama talk and drinks.

The Drinks: After this rollercoaster of a musical we wanted to go to a bar that was chill and loungy. Luckily 2 blocks away in the Twitter building there is Dirty Water, which is often not very busy late night and weekends and is full of couches.

The Color Purple plays through May 27th at the Orpheum Theatre. Tickets range from $55-$246 and can be purchased on the SHN website. Right now there are discounted tickets available on Goldstar.

Drama Talk & Drinks: Father Comes Home From the Wars (Parts I, II, & III) – “storytelling you have to work for”

After five years of Drama Talk & Drinks, we realized we had never reviewed a show at one of the premiere theaters in SF, A.C.T. It seemed like a good time to start, particularly with opening of Father Comes Home From the Wars, a play new play by Pulitzer Prize winner and MacArthur “Genius” Grant recipient Suzan-Lori Parks. So off we went to A.C.T for a night of drama talk and drinks.

Photo by Joan Marcus. A chorus of enslaved people—Second (Rotimi Agbabiaka), Third (Safiya Fredericks), Leader (Chivas Michael), Homer (Julian Elijah Martinez) and The Oldest Old Man (Steven Anthony Jones), Hero’s surrogate father—place bets over whether Hero will accompany The Colonel to the Civil War in Suzan-Lori Parks’s Father Comes Home from the Wars (Parts 1, 2 & 3), performing at A.C.T.’s Geary Theater April 25–May 20, 2018.

Photo by Joan Marcus. A chorus of enslaved people—Second (Rotimi Agbabiaka), Third (Safiya Fredericks), Leader (Chivas Michael), Homer (Julian Elijah Martinez) and The Oldest Old Man (Steven Anthony Jones).

Brittany: I loved the first two acts. The staging was beautiful and the Greek chorus was cool. The third act, after the intermission, lost some momentum for me. I was weirded out by the talking dog. I think they were going for an Odysseus thing, but it jumped the shark for me. Still very much worth seeing, but be prepared for a bit of a let down at the end.

Katie: There were definitely some cool moments, but I didn’t love the preachy, greek tragedy, lots of monologues format. I was interested in the story and cared about the characters, but it was a 3 hour show…I guess I’m a product of a generation of really short attentions span, but it felt long. I also agree the third act was not as strong as the first two. At first it wasn’t even clear that the Greek chorus was playing different characters, and then when the dog-human ran out it totally took me out of it.

B: I didn’t mind all the monologues because they were performed by really strong actors, but you’re right, it was a long first act.

K: Agreed. The actors were incredible. The set was cool and artistic too.

B: I liked how they used the lighting and the shadows.

K: I appreciate that the play explored some pretty provocative topics too.

B: Definitely some very interesting subject matter. I think that’s why I was okay with the length of the play. Watching the characters explore the legacy of slavery in the United States and the struggle for black Americans to be valued when the dominant white culture only sees value in a black person if they can be owned was some powerful stuff. I think it was a valuable play in that way. I just really wish they didn’t have that dog character.

K: This is for people who love meaningful theater and storytelling you have to work for, but it’s totally worth it. I enjoyed myself.

The Verdict: It’s a long and heavy show, but very well acted, well staged, and well worth seeing.

The Drama Talk: Father Comes Home From the Wars is thought provoking. It’s the kind of a play you’re engaged in while it’s happening, and then when you think about it after the fact you start to realize all the clever things you missed. This is undoubtedly in part due to the extremely good actors who were able to keep the audience with them in the moment. The dramatic yet sparse set and highly contrasted lighting design provided just enough of a canvass to give the scenes shape, while still allowing one’s imagination to fill in the detail. Yes, it’s long, but it’s also smart, and totally worth checking out.

The Drinks: It was late by the time we got out of this 3 hour show, so we wanted somewhere chill where we could discuss what we just saw AND have cocktail and a snack. Luckily Bartlett Hall was open and had all of the above.

Father Comes Home From the Wars (Parts I, II, & III) plays through May 20th at the ACT’s Geary Theater. Tickets range from $13.50-$115 and can be purchased on their website.

 

Drama Talk & Drinks: The Gangster of Love – “Really f*cking long”

When we heard about the world premiere of The Gangster of Love, a new play by award winning author by Jessica Hagedorn, which tells her story of immigration from Manila to the Haight during the 1970s we knew we wanted to see it.  Afterall, we love San Francisco, and this was a San Francisco based story. So off we went to the Magic Theatre for a night of drama talk and drinks.

Photo by Jennifer Reiley.

Photo by Jennifer Reiley.

Brittany: That was really fucking long.

Katie: What the hell was that?

B: I just don’t understand why they tried to cover so much? I get it’s based on a life story, but you don’t need to see every moment over the course of thirty years.They spent so much time showing different scenes they didn’t actually develop any of the subplots. They seemed to change the set every few minutes.

K: Agreed. The only thing I did care about was those awesome projections.

B: Visually this show was cool.

K: But that was it. I just sat there in confusion, thinking there must be something I’m not getting.

B: I didn’t care about anyone in the show. None of the characters were fully human. There were thirty bizarro plot lines that didn’t go anywhere. They introduce you to an interesting character and then that character never appears again. Meanwhile the girl who played the lead, Rocky (Golda Sargento), seemed to just float through the scenes. Despite the fact she was on stage almost the entire show, I still didn’t get a sense of who she was or why I should care about her.

K: The show did nothing for me. If it had just ended after the first act at least it wouldn’t have been as painfully long.

B: What I don’t understand is how it took that long to do nothing.

The Verdict: Despite some cool staging this is a show to skip.

The Drama Talk: Cool projections and San Francisco subject-matter can’t save a bad play. Neither can good actors if the characters they’re playing are poorly developed and disappear from the story with little explanation. Perhaps because the playwright is primarily a novelist, and she’s dealing with subject matter that hits so close to home, she thought the audience would intuitively understand why we should care about this moody young immigrant poet/musician and her life. Unfortunately the character of Rocky was in some ways the least interesting character in the story. Meanwhile the promising characters who appear throughout her life never get enough time to have an arc.

This is the world premiere of this play, so it’s possible it could be fixed by trying to do less. Fewer scene changes, fewer years covered, fewer characters who appear for only long enough for you to get curious before they disappear, less shoehorned in magical Jimi Hendrix angels. As it is, this play tries to do far too much, and in doing so accomplishes nothing.

The Drinks: After this show we wanted to go someplace fun and relaxing so we checked out a new bar in the nearby Marina district called Del Mar. They have swings for seats, so that did the trick.

The Gangster of Love runs through May 6th at the Magic Theatre. Tickets are $30-$60 and can be purchased on their website. Right now there are tickets on Goldstar for $15-$32.50.

 

Drama Talk & Drinks: Disruption – “you go girl”

A few years ago DT&D interviewed AJ Baker, Artistic Director and Resident Playwright for Three Girls Theatre company (3GT). Despite loving her, and loving the concept behind 3GT (they only produce plays written by female playwrights), it’s been a while since we had seen a 3GT show. So when we heard that AJ’s latest play Disruption was premiering at Z-Below, we knew we had to see it.  So out we went for a ladies night of drama talk and drinks.

 

Sally Dana as Dr. Andrea (Andy) Powell in Disruption at Z Below; Photo by Mario Parnell

Sally Dana as Dr. Andrea (Andy) Powell in Disruption at Z Below; Photo by Mario Parnell

Katie: Wow, I’m happy about how the story ended, but feel some whiplash from how quickly the problem was resolved. It seemed like a very complicated legal matter.

Brittany: Yeah, it was really stressful for most of the show and then it just wasn’t. For a script that at times felt like it was fairly slow moving, it wrapped up very fast. I enjoyed it, even though it was a lot of talk and not much action. I was engaged.

K: There were a lot of good things about this show, but the lack of “action” took me out of it sometimes. The blocking felt unnatural, it was like the actors didn’t have anywhere to move. There were moments when I felt overwhelmed by the dialogue too. Also the connection to the #MeToo movement was a little muddled for me. Given the focus of the promos I thought it was going to go deeper into talking about that movement, whereas it felt more like a side note.

B: That’s true, but I still left with a “you go girl” feeling, so it captured some of the ethos even if it didn’t feel like it spoke directly to the #MeToo moment. I like 3 Girls Theatre, and that they produce plays by women with strong female characters. Disruption was clearly written from a woman’s perspective, and it was interesting to see such authentic female characters. All their reactions, and guilt, and anxieties felt genuine.

K: I agree, I felt like a fly on the wall in a real office and there was something cool about that. I think overall it was authentic and it’s female forwardness was refreshing.

The Verdict: While there’s still some new-play clunkiness to the script and the staging, it’s a compelling story that portrays some very authentic strong female characters. We think it’s worth checking out.

The Drama Talk: It’s refreshing to see a show focused on strong female characters dealing with the kinds of challenges and emotions professional women confront in their lives. While the effort to shoehorn in current events like the #MeToo movement at times feels forced, Disruption still covers some important topics such as the ramifications of sexual harassment, gender bias, and the pressure professional women feel when they try to “have-it-all”. The script at times was a bit wordy, and the staging a bit stiff, however the compelling and authentic portrayals of women kept the show engaging.

The Drinks: After this show we felt pretty empowered so we wanted to go to a cocktail bar with powerful drinks and a high powered atmosphere. We checked our True Laurel and it was both of those things along with some delicious small plates.

Disruption runs through April 28th at Z Below. Tickets range from $35-$55 and can be purchased through their website. Right now there are tickets available on Goldstar from comp-$27.50.

Drama Talk & Drinks: Timon of Athens – “smoking a crack-pipe”

Despite being fancy theater critics, neither of us had ever seen Shakespeare’s Timon of Athens.  So when we heard that  The Cutting Ball Theater was doing a production of “one of Shakespeare’s neglected classics, featuring some of the Bard’s more experimental verse paired with some of his best poetry” we knew we had to see it. So off we headed to the TL for a night of Drama Talk & Drinks.

Photo by Rob Melrose.

Photo by Rob Melrose.

Brittany: I don’t know Timon of Athens well, so it was fun to see it performed. There were some really amazing monologues and great Shakespeare insults in there. I thought the actor who played Timon (Brennan Pickman-Thoon) was really impressive. I also enjoyed Apemantus (David Sinaiko) and Flavius (Courtney Walsh), they both had such a strong command of the language.

Katie: When any of the other actors were talking though, they might as-well have been speaking gibberish. Watching a Shakespeare play sometimes feels like watching a play in another language to me, I have to focus so hard to follow along. When actors don’t have command of the language it’s difficult to stay engaged.

B: Totally, if it weren’t for the strong Timon, that would have been a total snoozefest.  Maybe it’s because the ensemble was playing so many parts, but at times it felt like they were just doing caricatures. They didn’t seem get into the language enough to fully develop their characters.  The whole armed insurrection sub-plot was kind of overshadowed by the Timon drama. Then some directorial choices I didn’t fully understand, like the overly sexual guards or some of the weird dance party bits, but I think it’s partially because of an unbalanced cast.

K: The actor (Doug Nolan)  who played the punk-rock dude and the senator drove me crazy. I hate inconsistent accents, and when he was trying to do the southern accent it kept going in and out, and he couldn’t keep up the rocker thing he was trying to do either!

B: The second he started losing his accent I was like “Katie’s going to be so pissed!”.

K: I was! Onto things I liked though, often when Shakespeare plays are set modern times it doesn’t work for me, but this concept worked for me. It added to the story.

B: Yeah, seeing Timon smoking a crack pipe on the street in a homeless tent added context to my reading of the show. The shift he made from being a super rich tech titan who throws Burning-Man-Like parties to being out on the street homeless definitely made an impression.

K: If you love Shakespeare, and want to see a less often performed Shakespeare play this isn’t a bad production. For me, unless I’m seeing all incredible actors I don’t find watching Shakespeare particularly enjoyable.

B: If you like Shakespeare, the guy who played Timon was great, and there’s some great Shakespearean insults that made me giggle. However, it was a very uneven cast and not the best show we have ever seen from Cutting Ball. Good, but not great.

The Verdict: If you’re a Shakespeare fan you will probably like it, otherwise maybe sit this one out.

The Drama Talk: Cutting Ball’s production of Timon of Athens has many things we always love about Cutting Ball shows; inventive staging in a small space, some very strong actors, impressive costumes, and a fresh contemporary feel. However, Shakespeare needs actors to really own the language, and not everyone in this cast was up to the task.

The Drinks: In honor of the extravagant lifestyle Timon led we thought we would go to a fancy place to get drinks. We hit up Market street’s newest a rooftop bar (fancy right?) called Charmaines. We probably aren’t swanky enough for it’s swanky atmosphere, and the drinks were not cheap, but it was a fun place to end a night of theater.

Timon of Athens runs through April 29th at Exit on Taylor. Tickets are between $35-$50 and can be purchased on the Cutting Ball Theater website.