Kinda-secret, kinda-tiki bar temporarily in the Mission

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Don’t wanna show or tell too much because the mystery part is a big part of the fun, but the drinks were epic and the food was great too.

The place is called Flip Flop for now, but it’ll be different in a couple months. It’s part of a larger concept called Over Proof, and to find it you gotta go into ABV and up a staircase in the back, and to get in you need to have a reservation.

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[Photos by Wes Rowe]

Drama Talk & Drinks: Fun Home – “The real mixed in with the magical.”

If you follow theater in San Francisco you probably heard about the grand-reopening of the Curran Theater last week, following two years of extensive renovations (creating both more bars and more bathrooms – win!).  Our Drama Talk & Drinks crew was on the scene to see what all the fuss was about. As Jan Whal, KRON 4’s theater critic said “all the best people” were there.

Lieutenant Governor Gavin Newsom kicked off the night honoring Carole Shorenstein Hays, the owner of the Curran who spearheaded the effort to revitalize this important arts hub in San Francisco. Noting in his remarks “In San Francisco we celebrate diversity, not just tolerate it” Gavin laid out one of the themes for the evening; San Francisco and its arts community are sanctuaries for all. It was a fitting introduction to the show of the night, Fun Home, a Tony award winning musical based on the graphic memoir (by the same name) written by lesbian cartoonist Alison Bechdel.

Fun Home Program Cover - by Alison Bechdel

Fun Home Program Cover – by Alison Bechdel

Brittany: That was a very cool experience. It’s neat to be out tonight celebrating theater, celebrating a play about being queer, celebrating freedom of expression. It feels more important now. It’s also a great story.

Katie: I liked it too. I was actually pleasantly surprised. I’ve listened to the soundtrack and wasn’t that into it, but now I know why. The songs really depend on the strong story, which you don’t really get listening to the CD.

B: It also helps that this production had great actors with great voices.

K: True! I also really appreciated how simple and stripped down the show was. It didn’t rely on big flashy Broadway ballads, but just simple, truthful songs. It was nice. The scene when Alison’s character is in college (played by Abby Corrigan) and has her first sexual experience with a girl was my favorite. It was charming, simple and full of discoveries. Just her, in her underwear, and her date asleep in the bed. It was refreshing to see such a human moment in a Broadway musical.

B: College aged Allison was just so perfectly awkward and innocent. My favorite song was the one with older Alison in the car with her Dad (Robert Petkoff). I loved it. You could just feel the tension between them, and so much love, and confusion, and pain, and excitement too. I thought that was a really great moment for both of them.

K: It was really nice to see a simple, edgy but relatable family story as a mainstream musical finally.  I really think we are there. I don’t need anymore huge generic Broadway spectacles. I want the real mixed in with the magical. That’s when I’m really moved. This show moved me.

The Verdict: The renovated Curran is beautiful, and Fun Home is the perfect play to welcome back this San Francisco artistic hub. Go check it out!

The Drama Talk: The cover of the program (above) has an audience member leaving Fun Home saying “That was exactly like my family! But totally different!” We couldn’t have said it better ourselves. By showing an ordinary, yet still extraordinary, life on stage Fun Home helps all of us recognize the value in simple moments. During the pre-show red carpet we got a chance to ask Alison Bechdel what she wanted the audience to take away from the evening. She replied “I’m trying so hard to not be completely despairing right now. We are here, celebrating this thing, while the world is going to fucking hell. It’s very strange. What I would say is that it’s important for us all to keep doing our work. To keep doing the things we love and that are important to us. We have to keep doing that. It might seem trivial but it’s not.”  Theater illuminates, it heals, it helps us empathize, all things we’re going to need a lot of these next few years. Fortunately San Francisco has the Curran back in action ready to be a sanctuary for all.

The Drinks: A big part of the Curran’s renovation is the addition of three new bars  on each level of the audience. In honor of opening night bars stayed open after the show, pouring California wines, and giving the audience the opportunity to snoop around the new space. Fortunately for you, the Curran website says that this isn’t just a one-night thing. They plan to make a practice of keeping the doors open for post-show drinks. So no need to venture far for your drama talk and drinks.

Fun Home runs through February 19th at the Curran Theater. Tickets are available through the Curran website and range from $49-185 depending on where you sit. If you buy a ticket to Fun Home or Eclipsed, the next production slated for the Curran, you automatically become a Curran Club member. A Curran Club membership gives you special access to VIP events, ticket discounts and supposedly other dope deals, so one more reason to catch this show before it’s gone.

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Twins pins!

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PSA Press debuts yet another entry in their long list of enamel pins celebrating San Francisco’s history! Here’s what they have to say about the Twins:

Marian and Vivian Brown were American identical twins and celebrity icons of San Francisco for more than 40 years. Known as the San Francisco Twins, they were renowned for their appearance in media with adorning signature identically bright snappy outfits and hats atop meticulously coiffed hair. We seek to honor them as they are one of the reasons we fell in love with San Francisco when we moved here over 10 years ago.

Fun Facts about the Brown sisters:

1. When asked if they ever wore pants, Marian said, “I have never owned a pair, I never intend to buy a pair even if they were made of silk!” 2. The twins’ favorite meal was a small combination pizza from Uncle Vito’s served at 4:30 in the afternoon.

3.The twins always wore fake fur. “They call it faux fur but I call it fake. F.A.K.E!” said Marian in one interview.

Vivian passed away on January 9, 2013 at age 85
Marian passed away on November 20, 2014 at age 87

It’s two separate pins sold as a set, so you can have one for you and one for your twin (or bestie). Gettem here.

Super Bowl Sunday at Pop’s Bar!

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This Sunday. It’s On. Live from Houston: New England Patriots vs. Atlanta Falcons in Super Bowl 51. The Patriots are headed to their ninth Super Bowl while the Falcons are making their second trip. Will Tom Brady get his 5th Super Bowl ring? Will Matt Ryan and Julio Jones bring home their first championship title? But on to the important stuff…who will have the best commercial and what will Lady Gaga do during the halftime show? Catch every single moment on Pops Bar big screens with full audio of the game. Plus enjoy Pops Bar famous happy hour till 7pm!

This week’s entertainment line up at Pops Bar:

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Gorgeous hot dog

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‘Unusual’ and possibly illegal Immigration and Customs Enforcement activity in the Mission

Governor Brown says California won’t stand for this kind of thing. But we’ll see what happens.

The Examiner reports:

U.S. Immigration and Customs Enforcement agents may have sought to detain an undocumented immigrant on Thursday morning at a building that houses a preschool in San Francisco, the San Francisco Examiner has learned.

The action, which sources familiar with immigration called “unusual,” comes only a day after President Donald Trump signed two executive orders that — among other actions — called for 10,000 new ICE agents to perform deportations across the country.

[...]

Visiting a preschool and other sites containing children is prohibited for ICE officers under a 2011 Department of Homeland Security “sensitive locations” memorandum, save for exceptional circumstances.

“They had batons, they had walkie talkies, they had police belts and vests on top of their black uniforms. I didn’t notice if they had guns,” said Jaime Aragon, services coordination manager at Good Samaritan.

Read on.

How does Once and Future Band make you feel?

You’ll definitely feel some feelings:

Once and Future Band, from Oakland, headlines their own record release show tonight at the Chapel on Valencia Street. Get tickets here.

And you can get the new album at the show or order it directly from Castle Face.

Drama Talk & Drinks: Hedda Gabler – “Total girl crush”

Now seems like an important time to revisit critiques of a traditional women’s role in society. So when we heard that Hedda Gabler (the classic Ibsen play about the iconic female protagonist, Hedda Gabler, and her struggle for power and freedom in a patriarchal world) was being performed by the Cutting Ball Theater company at EXIT Theater we knew we had to go out for some drama talk and drinks.

Britney Frazier is Hedda Gabler. Photo by Liz Olson

Britney Frazier is Hedda Gabler. Photo by Liz Olson

Brittany: I really loved it. I have a soft spot for Hedda Gabler since I studied it in college, and she’s such an amazing character. I think they did a great job making it really fast and light, which isn’t easy. The whole cast was really strong, especially Hedda (Britney Frazier), she was amazing!

Katie: Yeah, she was great.

B: She had such a stage presence. Just a half smile, or a slight turn of her head said so much. Total girl-crush. I just loved it. I have no idea if you did, or if I’m just a Hedda head maybe.

K: I don’t know if I LOVED it, but I certainly didn’t dislike it. I did really enjoy how fresh it felt. It kinda reminded me of the Leonardo DiCaprio Romeo and Juliet- edgy and artistic. Particularly what they did with the music. It almost felt like they were scoring the play at the beginning which was cool. I’m just not as big a fan of old-school plays like this. I mean Chekhov and Ibsen are fine, but they can sometimes be a slog.

B: I think that’s what they did so well in this production though. That script has some dense language, and normally it runs over two hours. This show was 75 minutes flat. It was fast. They got in, out, and told the story. If you’re a purist you’d probably be upset with how much they cut, but I didn’t really miss anything. They had such urgency to their performances it made the show exciting.

K: True, and it was visually really cool. An inventive set, and great use of such a small space.  I loved the costumes too. Her dresses in particular were beautiful. Hedda was so powerful. She brought this sense of danger and urgency to the show, it was refreshing.

The Verdict: A vibrant and fresh take on a classic piece of theater. Go see it!

The Drama Talk: This production does a great job of distilling the story of Hedda Gabler down to its essence. It feels fresh, while still honoring the world of the play that Ibsen originally envisioned. Cutting Ball pulls the symbolic imagery from Ibsen’s script and manifests it onstage with a minimalist set full of flowers. Britney Frazier does a masterful job as Hedda, bringing to life one of the greatest female roles in theater. Her powerful performance holds the same power over the audience as Hedda holds over the people in her life. While Hedda is trapped in the domestic life that society demands of women, this production does not feel trapped in the past, and makes for a refreshing night of great theater.

The Drinks: After the show we wanted to go somewhere that kept the energy going. We went a few blocks down to Tradition, which if you haven’t been yet is a totally awesome bar, with great drinks and very cool seating (the have private booths you can reserve). Katie got the Grand Hotel and Brittany got the Molecular and we toasted to a refreshing night of drama talk and drinks.

Hedda Gabler runs through February 26th at the EXIT Theater in the TL. Performances are Thursday-Sunday. Tickets, which can be purchased through the Cutting Ball Theater website, seem to go up in price as the run goes on, so go early to get cheaper seats.  Prices range from $27-$45 for General Admission, there are also discount student tickets available.

 

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Rump Shaker for your, well you know…

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Pops Bar is bringing you a new party this Saturday, Rump Shaker! To get you through the week, here is a vinyl mix of nineties jams to put your azz in the bootie shaking mood.

So free your mind/booty with hip-hop, house and other loose grooves assembled by Teemoney + DJ Stef this Saturday.

Check out this week’s full entertainment line up at Pops Bar:

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Drama Talk & Drinks: Finding Neverland – “business as usual”

Do you remember the 2004 award winning film with Johnny Depp called Finding Neverland? It’s about the playwright, J. M. Barrie, and the story of writing the original play Peter Pan. We really like the film, which made us excited for the musical adaptation to come to SF. It’s usually either a super-hit or mega-miss when a popular film gets made into a musical, so we headed to the Orpheum Theatre to see which of those this one was going to be.

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Katie: Wow. I’m disappointed. This was a business as usual musical for me. It felt like the producers pulled a lets-just-check-the-boxes and throw together a musical based on an award winning film with a popular story and cash-in. This story and music didn’t move me. There was no soul or depth. I didn’t really care about the characters. The music was super generic. I don’t understand how this got green lit. Maybe this was for kids?

Brittany: I don’t think it was 100% business as usual. There were some interesting and beautiful visuals (which you expect from Tony Award winning director Diane Paulus), but you’re right about the music and the play generally, it felt very cookie-cutter. I liked that they tried to create a fantastical spectacle, but even some of the background video projections were too much, they almost looked like screen savers.

K: Yes! I couldn’t think of a word for those wonky projections but that is exactly what it looked like!

B: The music was the big disappointment for me, it didn’t even match the period of when the show was set. Finding Neverland is set in the early 1900s and it sounded like shitty pop-music. I didn’t like any of the songs.

K: Me either, nothing was memorable. From the first 5 minutes I knew this was going to be generic and corny as all hell!

B: Despite the mediocre score and book though, there were some strong performances. Tom Hewitt, who played the producer, Charles Frohman, and the id-version of Captain Hook was fascinating to watch. Also I was so impressed by the kids in the show. The boys were really sweet and genuine and the boy who played Peter (we saw Ben Krieger) was great! So it’s not like there weren’t good elements to this production but the play itself was not good. It’s just not a very good musical.

The Verdict: Finding Neverland was a miss as far as we’re concerned, but some of the kids in the audience seemed to be pretty taken with the whimsical staging. If you have a kid in your life that loves Peter Pan they may like it, but otherwise we’d say sit this one out.

The Drama Talk: This is a very pretty production with some great costumes, sets and actors, but it stops there. There isn’t a single memorable song. The music and lyrics were done by Gary Barlow and Eliot Kennedy, who both worked on the X-Factor (the British American Idol spin-off). They have much more impressive pop-music resumes than they do musical theatre, which may explain some of the terribly corny out of place pop-power-ballads in the show. The Peter Pan story is so well loved that you can’t help but smile when Tinkerbell appears, but the play relies on these easy moments of nostalgia to keep the audience engaged while not creating anything truly unique. We’d rather just see Peter Pan again.

The Drinks: We were tired after seeing this show (it’s a 2 hour and 30 minute show with a 15 minute intermission). We needed to go somewhere we could get a strong and quick drink so we headed to Oddjob on 9th and Mission, which satisfied both of those needs.

Finding Neverland runs through February 12th at The Orpheum Theatre. There are $40 both virtual and in-person rush tickets available. You can check-out the SHN website for rush instructions. Goldstar also currently has tickets for $75 (normally priced $105).