Do you remember the 2004 award winning film with Johnny Depp called Finding Neverland? It’s about the playwright, J. M. Barrie, and the story of writing the original play Peter Pan. We really like the film, which made us excited for the musical adaptation to come to SF. It’s usually either a super-hit or mega-miss when a popular film gets made into a musical, so we headed to the Orpheum Theatre to see which of those this one was going to be.
Katie: Wow. I’m disappointed. This was a business as usual musical for me. It felt like the producers pulled a lets-just-check-the-boxes and throw together a musical based on an award winning film with a popular story and cash-in. This story and music didn’t move me. There was no soul or depth. I didn’t really care about the characters. The music was super generic. I don’t understand how this got green lit. Maybe this was for kids?
Brittany: I don’t think it was 100% business as usual. There were some interesting and beautiful visuals (which you expect from Tony Award winning director Diane Paulus), but you’re right about the music and the play generally, it felt very cookie-cutter. I liked that they tried to create a fantastical spectacle, but even some of the background video projections were too much, they almost looked like screen savers.
K: Yes! I couldn’t think of a word for those wonky projections but that is exactly what it looked like!
B: The music was the big disappointment for me, it didn’t even match the period of when the show was set. Finding Neverland is set in the early 1900s and it sounded like shitty pop-music. I didn’t like any of the songs.
K: Me either, nothing was memorable. From the first 5 minutes I knew this was going to be generic and corny as all hell!
B: Despite the mediocre score and book though, there were some strong performances. Tom Hewitt, who played the producer, Charles Frohman, and the id-version of Captain Hook was fascinating to watch. Also I was so impressed by the kids in the show. The boys were really sweet and genuine and the boy who played Peter (we saw Ben Krieger) was great! So it’s not like there weren’t good elements to this production but the play itself was not good. It’s just not a very good musical.
The Verdict: Finding Neverland was a miss as far as we’re concerned, but some of the kids in the audience seemed to be pretty taken with the whimsical staging. If you have a kid in your life that loves Peter Pan they may like it, but otherwise we’d say sit this one out.
The Drama Talk: This is a very pretty production with some great costumes, sets and actors, but it stops there. There isn’t a single memorable song. The music and lyrics were done by Gary Barlow and Eliot Kennedy, who both worked on the X-Factor (the British American Idol spin-off). They have much more impressive pop-music resumes than they do musical theatre, which may explain some of the terribly corny out of place pop-power-ballads in the show. The Peter Pan story is so well loved that you can’t help but smile when Tinkerbell appears, but the play relies on these easy moments of nostalgia to keep the audience engaged while not creating anything truly unique. We’d rather just see Peter Pan again.
The Drinks: We were tired after seeing this show (it’s a 2 hour and 30 minute show with a 15 minute intermission). We needed to go somewhere we could get a strong and quick drink so we headed to Oddjob on 9th and Mission, which satisfied both of those needs.
Finding Neverland runs through February 12th at The Orpheum Theatre. There are $40 both virtual and in-person rush tickets available. You can check-out the SHN website for rush instructions. Goldstar also currently has tickets for $75 (normally priced $105).