Drama Talk & Drinks: The King and I – “If Rodgers and Hammerstein are your jam…”

After a week of post-election depression we decided to see if some Broadway magic could brighten our outlook on life. Hamilton had been our post-election playlist, but since that’s not coming to SF until next year, we decided to check-out the classic The King and I which is currently playing at the Golden Gate Theater.

The King And I

Brittany: You would think a week after election day would be a great time to go see a Broadway musical, because it would take your mind off all this stuff.

Katie: (laughs) Right, that’s what you’d think. We need singing and dancing. But gosh this is probably one of the worst musicals for people, especially women, to see to make them feel better about what’s going on in the world.

B: Right, it’s like let’s be a little racist, let’s throw some Western exceptionalism in there….

K: …and some misogyny.

B: Oh yeah, you can’t forget to add a lot of misogyny! And just kinda laugh about it. I don’t know, maybe we’re way off base. I understand that at the time this play was written (ed. note: in 1951) acknowledging that Taiwanese people are not barbarians was probably a revolutionary statement, even if it’s done while perpetuating Asian stereotypes. I’m sure having a single women stand-up to an Emperor in any way must have seemed so progressive.

K: But when Anna would stand up to the King, it was like one step forward and three steps back. She’d say “No I won’t be treated like this!” and then five minutes later she’d be like “Oh, NBD, I’m just a women. I’m probably overreacting when I yell that you should not whip one of your many slave-wives for running away because she doesn’t want to be married to you. It’s cool, sorry I was upset.”

B: And that whole refusing to give her a house thing.

K: Yeah! She’s all like “I’m putting down my foot and won’t stay here if you don’t pay me what was promised and give me my house.” Then the story fast forwards to a year and half later and she’s singing in the classroom with his wives and kids still without the damn house! Really, Anna? What happened this last year and a half? WHY ARE YOU STILL THERE!

B: This is just our liberal elite bubble Katie, we are out of touch with The King and I.

K: I guess so. This show is for somebody, but it’s poor timing for us.

B: I mean it was a beautiful looking show, the sets were amazing. It was a great production.

K: People did seem to be enjoying themselves. The women who played Anna, was just awesome. What an actress. What a voice! She really owned that stage. I couldn’t stop watching her. It’s just a very old-timey type of musical. I personally don’t like Broadway classics as well as more contemporary musicals, they’re a bit too corny for me. The King and I  just doesn’t feel very relevant anymore. It’s just not exciting.

B: Yeah it is a Rodgers and Hammerstein. Which, when you feel like Hamilton, is a bit of a let down. (laughs) But if Rodgers and Hammerstein are your jam…

K: True, if you’re looking for nostalgia, and you like this kind of musical you’d probably love it.

The Verdict: Beautiful production, and well sung Broadway standards, but unless you love this play already it may be better to pick another piece of theater to get you out of your post-election funk.

The Drama Talk: We personally don’t think this show ages very well, although this production was well done. If you’re a huge fan of Broadway classics, and are better at appreciating this play in the context of when it was written than we are, you may love it.  The sets are really amazing. There are some really impressive dance numbers, and some great renditions of well loved songs. But, if you’re not into musical theater, and as fed up with casual racism and misogyny as we are, it’s probably not a great pick for you.

The Drinks: Monarch’s The Emperor’s Drawing Room seemed aptly named for this show, so we decided to check it out for post-show drinks. While not the most ideal venue for a quiet post-show conversation, a good strong classic cocktails seemed the best way to dull the heartache.

The King and I runs through December 11th at the Golden Gate Theater. There are $40 both virtual and in-person rush tickets available. You can check-out the SHN website for rush instructions. Goldstar also currently has tickets for $50-75 (normally priced $65-150).

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